New York - Addis - London
Mulatu Astatke 2009 retrospective
Ethio-Jazz World Jazz Afro-Funk
A transatlantic conversation in Ethio-jazz. Three cities, one musical language, proving that the form Mulatu invented decades ago still has new things to say.
Acoustic Profile
Production
Method: live-dominant
Fidelity: polished
multi-city recording sessionsmodern studio fidelity with vintage instrumentationvibraphone and conga interplayguest musicians from three continents
Vocal
Approach: instrumental
Lyrical Abstraction: 10/10
Mood & Theme
serenity tenderness wonder
Territory: Cosmopolitan Dialogue, Cultural Bridge-Building, Diaspora Identity
Emotional Arc: Warm Expansive Reunion
Era & Context
Recorded after the Éthiopiques reissue series and the Broken Flowers soundtrack brought Mulatu global recognition in his 60s. A graceful return that proved the Ethio-jazz language remained vital decades after its creation.
Spiritual Links (8)
Kind of Blue Miles Davis (1959)
6/10 spiritual-seekingcollaborative-tension
Talking Timbuktu Ali Farka Touré (1994)
5/10 collaborative-tensionspiritual-seeking
River: The Joni Letters Herbie Hancock (2007)
5/10 collaborative-tensionspiritual-seeking
A Love Supreme John Coltrane (1965)
5/10 spiritual-seekingimprovisational-freedom
The Epic Kamasi Washington (2015)
5/10 spiritual-seekingmaximalist-excess
Journey in Satchidananda Alice Coltrane (1971)
5/10 spiritual-seekingnature-mysticism
Tassili Tinariwen (2011)
4/10 collaborative-tensionspiritual-seeking
Black Radio Robert Glasper (2012)
4/10 genre-destructioncollaborative-tension
Influences
Absorbed from
Similar Albums (Cross-Artist)
1
In a Silent Way Miles Davis (1969)
88% 2 Far East Suite Duke Ellington (1967)
86% 3 Portrait in Jazz Bill Evans (1960)
85% 4 Speak Like a Child Herbie Hancock (1968)
85% 5 Canvas Robert Glasper (2005)
84% 6 Maiden Voyage Herbie Hancock (1965)
84% 7 Harmony of Difference Kamasi Washington (2017)
84% 8 Charlie Parker with Strings Charlie Parker (1950)
84% 9 Undercurrent Bill Evans (1962)
83% 10 BTTB Ryuichi Sakamoto (1999)
81%