Post
Bjork 1995 pioneering
art pop electronic trip-hop big band
Genre as travel: every track a different country, from big band to industrial to trip-hop, held together by an unmistakable voice.
Acoustic Profile
Production
Method: hybrid
Fidelity: polished
multiple producers (Hooper, Tricky, Howie B, 808 State)genre-per-track approachbig-band meets electronicstrip-hop influence
Vocal
Approach: sung
Lyrical Abstraction: 4/10
Mood & Theme
ecstasy defiance playfulness
Territory: post-relationship-independence, genre-tourism, maximalist-ambition
Emotional Arc: exhilarating-restlessness
Era & Context
1995: trip-hop, drum-and-bass, and electronica emerging. Bjork absorbing everything simultaneously, refusing to settle into one style.
Influences
Absorbed from
Similar Albums (Cross-Artist)
1
Scary Monsters (And Super Creeps) David Bowie (1980)
84% 2 The Rise and Fall of Ziggy Stardust and the Spiders from Mars David Bowie (1972)
76% 3 Earthling David Bowie (1997)
74% 4 Young Americans David Bowie (1975)
66% 5 Aladdin Sane David Bowie (1973)
65% 6 Station to Station David Bowie (1976)
64% 7 The Next Day David Bowie (2013)
64% 8 Hunky Dory David Bowie (1971)
64% 9 Diamond Dogs David Bowie (1974)
63% 10 Hail to the Thief Radiohead (2003)
61%