AMOK

Thom Yorke 2013 synchronized
electronic glitch-hop krautrock-influenced art-rock
Atoms for Peace: Yorke's electronic anxiety given a physical body. Flea's bass and Afrobeat polyrhythms collide with glitch editing, making paranoia danceable.

Similar Albums

Grouped by the kind of closeness: sound first, then mood, era, and artistic phase.

Same Artist / Nearby Phase

Useful neighbors inside the same discography, where the artist is moving through adjacent periods.

Closest Sound

Albums with nearby density, space, production feel, vocals, and style.

Same Mood

Albums sharing the emotional palette and thematic atmosphere.

Same Era Feel

Albums close in historical moment or in how they relate to their era.

Same Career Phase

Similar artist-position moments: early statement, breakthrough, reinvention, mature work, or late period.

Acoustic Profile

Density 5 Spatiality 6 Distortion 3 Tempo 6 Rhythm 7 Harmony 5

Production

Method: hybrid
Fidelity: polished
Flea's bass guitar integrated into electronic gridsNigel Godrich co-productionAfrobeat-influenced polyrhythmic programmingkrautrock-derived motorik pulselive band performance deconstructed and reassembled digitally

Vocal

Approach: sung
Lyrical Abstraction:
7/10

Mood & Theme

paranoia playfulness anxiety
Territory: Urban Dislocation, Groove as Escape, Collective Unease
Emotional Arc: Nervous Groove

Era & Context

Atoms for Peace supergroup project with Flea (RHCP), Nigel Godrich, Joey Waronker, and Mauro Refosco. Krautrock precision meets glitch-hop groove: the most physically danceable expression of Yorke's electronic obsessions, born from live performances of The Eraser material.

Career Phase

Laptop Deconstruction 2006-2014

Solo emergence from Radiohead's electronic experiments. Laptop-based glitch, skeletal beats, and climate anxiety stripped of band context.

Distant Connections (9)

A second layer for farther resonances: connections that may not sound closest at first, but still point somewhere useful.

Influences