Double Booked
Robert Glasper 2009 pioneering
post-bop jazz-fusion jazz-hip-hop neo-soul
A deliberately split album that bridges acoustic jazz and electronic fusion, serving as the architectural blueprint for the genre-dissolving work to come.
Acoustic Profile
Production
Method: hybrid
Fidelity: polished
split-album conceptacoustic-to-electric transitionFender Rhodes texturesvocoder accentslive-sampled loopsdrum machine layered with live drums
Vocal
Approach: mixed
Lyrical Abstraction: 7/10
Mood & Theme
playfulness introspection wonder
Territory: dual-identity, genre-bridge, urban-night
Emotional Arc: acoustic-to-electric-migration
Era & Context
A structural manifesto: Side A is acoustic trio, Side B introduces The Experiment with electronics, vocals, and hip-hop production. The split format literalizes the question Glasper had been asking — can one musician inhabit both worlds simultaneously? The answer became the blueprint for Black Radio.
Spiritual Links (8)
Bitches Brew Miles Davis (1970)
6/10 genre-destructionsonic-experimentation
Brown Sugar D'Angelo (1995)
5/10 genre-destructionlate-night-atmosphere
In a Silent Way Miles Davis (1969)
4/10 textural-explorationimprovisational-freedom
Baduizm Erykah Badu (1997)
4/10 rhythmic-innovationimprovisational-freedom
Giant Steps John Coltrane (1960)
4/10 improvisational-freedomgenre-destruction
Mingus Joni Mitchell (1979)
4/10 genre-destructioncollaborative-tension
Thelonious Monk with John Coltrane Thelonious Monk (1961)
4/10 collaborative-tensionimprovisational-freedom
Mezzanine Massive Attack (1998)
3/10 late-night-atmospheretextural-exploration
Influences
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1
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76%