On the Corner
Miles Davis 1972 pioneering
jazz-funk experimental funk
Funk stripped to its rhythmic skeleton and rebuilt as a hypnotic jazz machine: too funky for jazz, too jazzy for funk.
音響プロファイル
プロダクション
手法: hybrid
フィデリティ: raw
funk grooves as jazz canvaswah-wah trumpetsitar and tabla integrationrepetitive vamp structures
ヴォーカル
アプローチ: instrumental
歌詞の抽象度: 10/10
ムード & テーマ
恍惚 反抗 混沌
テリトリー: street-level-energy, funk-as-hypnosis, rhythm-over-harmony
感情の軌跡: relentless-groove-trance
時代 & コンテキスト
Early 1970s funk explosion. Davis wanted to reach the Sly Stone and James Brown audience, but made something too alien for everyone.
影響関係
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