Kid A
Radiohead 2000 pioneering
art rock electronic experimental
A deliberate demolition of guitar rock from within: melody replaced by texture, certainty by drift, the most radical reinvention since Bitches Brew.
音響プロファイル
プロダクション
手法: electronic-dominant
フィデリティ: lo-fi-aesthetic
Ondes Martenotglitch editingmodular synthesistape manipulationprocessed vocals
ヴォーカル
アプローチ: processed
歌詞の抽象度: 7/10
ムード & テーマ
不安 疎外 虚無
テリトリー: technology-as-threat, identity-dissolution, surrender-to-void
感情の軌跡: descent-then-stillness
時代 & コンテキスト
Y2K: millennium anxiety, dot-com bubble, post-Britpop disillusionment. Radiohead abandoned guitar rock at the height of their success.
精神的リンク (5)
Bitches Brew Miles Davis (1970)
9/10 genre-destructionalienation-of-fanbaseradical-reinvention
Low David Bowie (1977)
8/10 genre-destructionminimalist-reductiontextural-exploration
Vespertine Bjork (2001)
7/10 textural-explorationminimalist-reductionvoice-as-instrument
808s & Heartbreak Kanye West (2008)
7/10 vulnerability-as-weaponvoice-as-instrumentradical-reinvention
Yeezus Kanye West (2013)
6/10 genre-destructionalienation-of-fanbase
影響関係
類似アルバム（別アーティスト）
1
Low David Bowie (1977)
75% 2 808s & Heartbreak Kanye West (2008)
59% 3 Outside David Bowie (1995)
51% 4 Earthling David Bowie (1997)
47% 5 Heathen David Bowie (2002)
44% 6 Medulla Bjork (2004)
43% 7 E.S.P. Miles Davis (1965)
42% 8 Scary Monsters (And Super Creeps) David Bowie (1980)
41% 9 "Heroes" David Bowie (1977)
41% 10 Vespertine Bjork (2001)
41%